The Lungta Art Festival presented the Innovative Xylographic Woodblock Workshop with the following objectives:
- To revive and advocate for traditional xylographic woodblock printing techniques.
- To explore innovative, contemporary applications for these traditional methods.
Unveiling the Lungta has brought us to the immense wealth of xylographic art and wood block printing in Bhutan. Unfortunately, the practice is not as vibrant now. Recognizing the value of the practice, the art and need to preserve, VAST Bhutan, in collaboration with the Department of Culture and Dzongkha Development, Ministry of Home Affairs, hosted a three-day intensive workshop. The program was led by Senior Librarian Yeshi Lhendup and Artisan Phub Thinley.
The workshop had 19 participants—ranging from professional artists to adult learners— experiencing and learning the foundational tools and techniques of traditional xylography.
The workshop was designed as an interactive process rather than a standard technical class. It introduced participants to Bhutan’s conservation efforts regarding ancient Buddhist scriptures and woodblock prints, such as the Lungta and namthars of great master. Every step of the process was demonstrated, supported by videos and photos to show the care required at each stage. The whole process does require one’s full focus as shared by a participant “The whole process demands attention and care to detail. I felt it is a mindfulness process, I had to stop to talk because I was worried, I would make a mistake. I really focused.” Jigme, participant
Through hands-on production, participants carved Lungta onto woodblocks. They experienced the physical demands of the craft: the tension in the fingers, the precision of the cuts, and the deep focus required to navigate intricate designs. They also engaged in woodblock printing using natural dye on paper, this gave the participants a different experience from carving. The two experiences were rich in both their respective forms. This immersion fostered a profound respect for the traditional arts and crafts of Bhutan. Participants learned that in this digital age, the traditional practices are at a critical juncture, and their realization shifted from observer to custodianship. As we embrace digital transformation, preserving culture and tradition are non-negotiable. Therefore, this workshop is only the start as Yeshi Lhendup noted:
“We have conducted workshops on xylography with others; however, this is our first collaboration with VAST Bhutan. The invitation to conduct this for artists and adult learners is the first of its kind. We have not seen such an enthusiastic group with such artistic skills, we are .”
VAST Bhutan would like to express our gratitude to the Department of Culture and Dzongkha Development, Ministry of Home Affairs for their support.
Kuensel News: Innovative Xylographic Woodblock Workshop
March 20-22, 2025
Dorji all smiles, learned the correct way to carve
